Hey everyone, it’s Cel…obviously, let me tell you about this album if you don’t know about it already:
This album is my love-child and masterpiece thus far being my new favorite of all my worxXx of art even surpassing the “Peanut Butter Gundam Demo” record; well, why, you may ask.
Well, this album became a work in progress directly after first half of this years albums, all 6 of them but not including (Blewprints). (Blewprints) was simply the blue print stages of my architect design for absolute talent showcasing. I think Seth MacFarlane may be Satan and if he isn’t then the unholy owner of Adult Swim is. (Blewprints) was my attempt at exploiting -what I would consider to be- next to the best of my ability lyrically and on a production point. The theme behind it is simple as well, for both (Blewprints) & (Cumplete), a certain percentage of the world believe’s this is the last year we will “enjoy” on this forsaken foreskin of a boulder and some think other wise. So with that, and me being overly observant, I figure ‘if it can be fathomed, it’s a possibility it can and or will happen.” The Zeitgeist is The Prehistoric Matrix, meaning Neo is Obama (j/k?) So why not make the best album ever and go out with a bang? The economy is down the drain and the reform is taking forever. Work isn’t assisting me any towards my real goals in life and going to school will take a minute so be as artistically productive as possible until something happens.
(Blewprints) following the “Experience [Life], [Death], [Success], & [Failure] As A Detroit Gothic Mistake” albums, along with the “Sweet.Pink.Velvet.Electric.Jelly.Pussy.Attack & Tangy.Charr.Satin.Hydro.Honey.Dick.Defense” albums. With the first four albums I was in secluded training with myself to get better with my production skills so they wouldn’t be so “Six Sick Shitsy” and more “Zakum 41’y.” With the latter two I used a mix of my own compositions as well as other producers I had an interest in spanning out into with their genre’s. I never got a chance to explore my potential while KidEquip was apart of PBM and he offered something different to the table that was useful that I was not ready for at the time, so I used some producers like him and some other types of music.
Even though some of the music I didn’t want to be known for making I decided to dip my toe in the waters to test the temperatures, songs like “Ressurect Cobain” was an attempt at mixing Horrorcore with my Underground Hip-Hop with a mix of some Old School Punk Rock. “Sticky Oz” was me coming out saying “ok…i can talk about drugs and bitches just like any other lame ass rapper but make it sound better and be intelligent about it. (There are 5 slight comedy sketches in it as well, though they aren’t meant to be comical some have laughed at them, but all recordings of me that are not musical are just something for the fans just to have as an ear into my life, it’s like letting them sit in the studio with me and just chill ad hang while I record.) “$5 D!@% Advertisement” was just a stupid recording of me mocking all other rappers talking about fucking “ho’s,” smh… “iScream Pornography” was a power track for ladies that like my music that want to relate to me, I used a good amount of Middle Eastern influences for the production because I love the sound and ethnicity/culture, plus some punk rock and hip-hop basic elements. “Go Fuck Yourself” was a song for a friend of mine who had an issue with people judging her about abusing drugs, her facebook name is what influenced the production style of the instrumental. I made an attempt at a Neptunes/Pharrell type beat for the sake of her name and the almighty righteousness of the floaty spaciness of being high. “Credit Roll” is a follow-up track to “Go Fuck Yourself” it follows in the same fashion with the Neptunes/Pharrell style instrumental and it’s pretty much meant to help me get ready to sing more on traxXx while still delivering really good lyrical content that isn’t half-assed. “Tiger Shark Pt. 3” is me going back to my roots of making weird, electro, punk rock, hard hip-hop, alternative gigs and that was accomplished wonderfully just like all Tiger Shark songs. “Gas Station Folks” has been labeled the bounce, bobbing, wobble, song. It’s a soft techno song about how a lot of Arabic individuals seem to love my music and always want to help me get my music heard. “Roofies” were the outro track to the album that wasn’t meant to be the outro, but it was a song to ride to at night, be high with your lady having a good time and just ride and a sing-a-long, a dear you to get high as hell with a bunch of friends and bump this in the car, it is soft but it will get you hype as heck!
So those are the minimal elements of that album and from just that small amount of enhancement, I wanted to upgrade more for (Cumplete) which you will and can expect:
Punk Rock
Underground Hip-Hop
Alternative
Electro
Techno
Horrorcore
Heavy Metal
Desperado/Latin
R&B
Jazz
Acid-Jazz
Hard Rap
A Capella
Garage
8-Bit
House
Honky Tonk
Blues
Crunk
Funk
Bebop
Big Band
Soul
Grunge
Dance
DnB
Gothic
Dementia
Doomcore
Dubstep
East Coast
Euro
Hyphy
Hymn
Industrial
Voodoo
Champloo
Otaku-Rap
And more…
The (Cumplete) album is a 200+ track album plus a compilation of songs from the past that I wanted to add to it. So (Cumplete) is intended to be the only album of mine you would ever want except for the “Peanut Butter Gundam Demo.” So with that said, enjoy the album…there’s no way anyone will read what I have to say about every song. (Cumplete) also includes the (Blewprints) album in it…for those that aren’t keeping up. Stewie Griffin is the child of Louis Griffin and Hey Arnold!
If you would like to set up interviews about the music, video’s, art, or anything else pertaining to Cel-Man Iller, Tha Immortal, and/or the members of PBMHLP, email us at PBMHLP@gmail.com for ALL inquiries.
PEANUT BUTTER MECH 